 |
 |
 |
 |
 |
 |
 |
ESC - Eight thousand square feet
ntra-se no governo desde 1975 e no inverno de 1978-1979 dá-se o "Winter of Discontent", período em que haveria um vasto número de greves contra as políticas do actual primeiro-ministro James Callaghan, entre as quais, o congelamento dos salários para controlar a inflação do país. Em 1979 ascende ao governo o partido conservador com Margaret Tacher... mas nem tudo corre bem... Margaret Tacher privatiza grandes empresas como British Aerospace (1981), British Telecom (1984) e incentiva as empresas inglesas a deslocarem as suas fábricas para países em vias de industrialização como a China e a Tailândia, o que veio a originar o encerramento de muitas mais fábricas e o aumento vertiginoso do número de desempregados de 1 milhão (1979) para 3 milhões (1980).
de 1970 e tem a sua origem no punk, o qual já vinha a dar cartas em Inglaterra desde o início da década. O pós-punk pega em conceitos da subcultura punk como o "DIY lifestyle" (Do it Your Self). As pessoas começam a escrever e a publicar revistas, conhecidas por fanzines. Nas fanzines escrevia-se de tudo desde a poesia, críticas, letras de músicas, etc. Os artistas expunham as suas obras fora das galerias, preferindo expor a sua arte nos Bares Nocturnos ou edifícios devolutos. Por seu lado, as bandas criavam e e editavam a sua própria música, criando editoras independentes, sendo que a mais conhecida é a Factory Records, criada em 78 e de que faziam parte grupos como Joy Division, New Order, A Certain Ratio, Happy Mondays,...etc.
nk surge pela primeira vez pela revista musical inglesa Sounds Magazine em 1977 para descrever o som de Siouxsie and the Banshees. Nesse mesmo ano (1977) surge um grupo claramente anti-social e que se auto-denomina “Geração X” ou “The Clash”. É igualmente em 77 que é lançado um álbum de estreia de uma banda punk com contornos políticos “Nevermind The Bullocks: Here's the Sex Pistols." Os Sex Pistols elevaram na Inglaterra a geração punk a uma moda.
ente que se dará a chamada ”punk revolution”, ou seja, o surgimento de bandas que, inspiradas pelo espírito e pela música e crueza (estado bruto) do Punk, enveredam por novas áreas e por um experimentalismo musical.
Nancy, Kris, Quentin, Jesse e Dean vivem em Elm Street. Durante a noite, todos têm tido o mesmo sonho – um homem com uma camisola vermelha e verde, listada, com um velho chapéu a tentar esconder uma cara desfigurada e uma luva com lâminas na mão direita. E todos ouvem aquela assustadora voz... Um por um, os amigos são aterrorizados nos seus sonhos, onde esta presença dita as regras. Quando acontece uma morte violenta, eles apercebem-se que o que acontece nos sonhos, acontece também na vida real, e a única maneira de se manterem vivos é não dormindo. Os quatro amigos que sobreviveram começam então a tentar descobrir porque fazem parte desta história negra, e o que os liga a este homem. Enterrada no passado está um dívida que agora tem de ser paga, e, para não morrerem, eles têm de entrar também na mente do pesadelo mais obscuro... Freddy Krueger.Os mexicanos Red Industrie acabam de lançar o seu segundo álbum: "Switch!". Aqui deixamos uma entrevista a Red Industrie sobre a banda, o álbum e as respectivas músicas.
RED INDUSTRIE -what's the Background to your bandname ?I wanted a name that were on more than one language, and wanted something “industrial” and “retro” and reflecting soviet stuff like the cold war or so (at the beginning) and I though about “red” as is a colour for soviet stuff and associated with the star of the logo immediately. Then needed something else “red --- what?” and then needed something industrial, and I wanted to be in French/German written “industrie” but its complete pronounced “red industry” just written “red industrie” or in Spanish”industria roja” that sounds very communist or soviet. I don’t hate capitalism, but I criticize consumism and I like some ideas of the soviet stuff, besides in all industrial all school names is associated the star and the soviet stuff, like the Nitzer Ebb album “that total age”.
- Helder: I just don’t have Isis Signum, also have W.A.R.D.R.O.B.E. with a suicide girl on vocals, we have done some live shows and have an album too. And have been in the past Pro:activ (and released a track on Infacted 2 compilation) and have been Optical Frequence (and released a track on Infacted 1 compilation). Isis Signum it’s the most recognized one for the several compilations in Europe I have been appearing at, and for the vocals by Sara Noxx, Ayria and many others very known on the scene, that helped a lot.
The difference is that for me Isis Signum was something with other “divas” I wanted to do, very electroclash, very female vocals, etc. but Red Industrie, is my core, my essence and I have been enjoying it very much as the best project to me know, and as I do front and main vocals there, lets say its my essence, my heart. Also have the opportunity to play totally live with Red Industrie and be at the front on vocals, and its very nice the feeling. And Red Industrie its more underground, I think.
- Helder: I needed 1 year or little less as some songs lets say were lefted out from “ciencia ficcion” the debut cd, for time, unfinished, etc. then I was contacted by some labels in 2009 telling me that need to prepare something “unreleased before” and “exclusive” for a contract, then I worked hard on the songs ai had unfinished and look out for producer and did the rest final touches. So take like 9 months or so, the producer time, the mastering time, the vocals time and remixers needed their time too. But lets say was cocked since 2008 as were part of ideas I had for “ciencia ficcion”. Now im working on the next one hehe ;)
- Helder: my style it’s a combination of several “subgeneres” and you can labelled as what you want, but me, I define it as “futureclash body music” or a combination of “synthpop+ebm+electro with a very tendence to electroclash” futureclash is what I call to the “next generation” sounds and artists of synthpop+ electroclash.
- Helder: its easy, first, cause both are my friends and I have even meet them in person in europe and also have done works before for my label. Darrin if Psyche I meet him in rostock at his show (2 days before I did a DJ show there) in 2007 and he is very nice friend of sara noxx and ayria, both good friends and vocalists of isis signum. And sara noxx and I even did a live show as isis signum in milan italy in 2007 and she have been singing in isis signum since 2005. so I always recruit people who are friends, who are respected, who I admire or who I am fan of. Then even me I like my album as have all the artists I like colaborating there ;) and doing a vocal duet, its an honour ;)
- Helder: Because its one of the most electronic tracks from COX and cause was one of my favorites since the remake of that one in 1997 for the album “hidden faces”. its not too dark, not too gothic, not too electronic, its very good one ;)
Helder: this song reflects who my life have been changing and I triumph against all ex girlfriend’s craps, problems, and life issues, its my “personal victory” and was the thought opening track for the album and was perfect for duet with Psyche. It’s a soft-medolic/beat track. And its inspired on how I felt last year in my personal life.
Helder: I love fetish issues and stuff, I have books, I have been asisting to fetish mascarades in canada, etc. love that stuff so I wanted to do that stuff as a track. The lyrics speaks it self ;) and the rhythm/sounds its inspired on the early electroclash tracks of david carretta, dj hell, etc. also electroclash fits for fetish stuff very well hehe ;)
Helder: I always wanted to do a vampire song, I used to like blutengel (early years) and tristese de la lune, etc. and even my dad used to love vampire films (lets say I entered the gothic stuff cause of his influence and taste for the vampires, ghosts and unexplained stuff) and this was a chance to do a song about vampire stuff. The lyrics told about im turing the girl into a vampire, and she wants me to take her blood and turn her for eternity “I can be your darkness, you are my night” its in english, spanish and some little german hehe.
Helder: this song is based on an Isis Signum song named “plastic culture” with vocals by Kindel of liquefaction, released in 2007. lets say it’s the “part II” for that song. I like it a lot as it speaks againts the system and the “plastic fashion” or the world we live in that tells that if you are not on fashion “you are out, not inn” that its CRAP. So I did this one to protest against the system we live inn. The sounds, again very synthie/retro/electroclashed.
Lisboa, Metropolis Club
[Festa] Funeral Party - Post Punk, Punk Rock, Goth Rock, Deathrock, Batcave, Alternative Indie
Porto, Heavens
[Festa] Dj Annoying + Schanine
Porto (V.N.Gaia), Parke
[Festa] Bouquet of Dreams
Porto, Spot
[Concerto] Tributo a Ian Curtis
Lisboa, Metropolis Club
[Festa] Depeche Mode Party - 80’s, Rock, Pop + Depeche Mode Influences
Porto, Fábrica do Som
[Concerto] La Chanson Noire
Entrada: 5 euros
22h.
Porto, Heavens
[Festa] Dj Hunter + Das Evil Machine
Porto, Ninho de Nosferatu
[Festa] Kaotic Visions - Djs Ishtar + Laika
Porto, V5
[Concerto+Festa] Artane + Dj Set Lilith + Division
Para divulgação de eventos, por favor envie com antecedência press release + cartaz para info@portalgotico.com
A LOUD! Magazine, revista geralmente dedicada ao Metal, abre, a partir deste mês, o seu campo editorial às subculturas associadas ao gótico e ao industrial.
A nova secção "Whispers in the Dark", que conta com a participação do ex-editor da revista Elegy Ibérica, destina-se a divulgar e apoiar este específico cenário musical e contará com selecções de entrevistas e críticas especiais sobre o tema.
Site oficial: Loud Magazine
Os Red Industrie são do México e são formados por Helder Camberos (aka Isis Signum) e sua mulher. Esta sexta-feira lançam o seu mais recente trabalho: "Switch"! pela chancela da ElectroArc. As letras são da autoria de Helder Camberos e focam o universo do industrial, gótico, vampirismo, ficção científica, etc. Por falar em ficção científica, o álbum de estreia da banda, em 2009, intitulava-se “ciencia ficcion" e foi lançado no México pela editora Advanced Synergy.
Fotos e Crítica 1º dia
2º dia
3º dia
Foto-Reportagem 1ª Parte
Foto-Reportagem 2ª Parte
Review 1º dia
Review 2º dia
Redacção: | |
 | Peculi |
 | Dungeon Master |
 | Colourful Darkness |
 | LA |
 | Carlos Matos |
 | André Leão |
 | Yggdrasil |
 | Ricardo Lourenço |
©
Back to TOP
